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Shure Beta 52A Instrument and Bass Drum Microphone

Shure Beta 52A Instrument and Bass Drum Microphone Review

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I love this mic. I use it in a kick and although I’m a big fan of a 57 in the kick, there are sounds I can get with the 52 that I can’t get from anything else. Use it to mic a little line6 lowdown for bass guitar and you will be really impressed with the recorded sound. I’ve actually used it on a 15watt 8 inch guitar amp with a 57 and can dial in any sound I want.

Shure Beta 52A Instrument and Bass Drum Microphone Feature

  • Frequency response shaped specifically for kick drums and bass instruments^Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum^Studio quality performance, even at extremely high sound pressure levels^Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise^Hardened steel mesh grille that resists wear and abuse

Shure Beta 52A Instrument and Bass Drum Microphone Overview

The Shure Beta 52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “punch”, and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Shure Beta 52A Instrument and Bass Drum Microphone Specifications

Designed specifically for kick drums and other bass instruments, the Shure Beta 52A high-output dynamic microphone provides superb attack and “punch”, and delivers studio quality sound even at extremely high sound pressure levels. A successor to the popular Beta 52, the 52A features a redesigned knob and tightening mechanism for more durability and a wider mounting base that can accommodate a larger range of mic stands.

The Shure Beta 52A microphone.

The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built-in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.

Key Features

  • Frequency response shaped specifically for kick drums and bass instruments
  • Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum
  • Studio quality performance, even at extremely high sound pressure levels
  • Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise
  • Hardened steel mesh grille that resists wear and abuse
  • Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
  • Neodymium magnet for high signal-to-noise ratio output
  • Low sensitivity to varying load impedance
  • Legendary Shure quality and reliability

Specifications

  • Polar Pattern: Supercardioid, rotationally symmetrical about microphone axis
  • Output Level (at 1,000 Hz): Open Circuit Voltage: -64 dBV/Pa* (0.6 mV)*1 Pa = 94 dB SPL
  • Impedance: Rated impedance is 150 ohms (45 ohms actual) for connection to microphone inputs rated low Z
  • Phasing: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
  • Maximum SPL: 174 dB at 1000 Hz (calculated)
  • Connector: Three-pin professional audio connector (male XLR type)
  • Case: Silver blue enamel-painted die cast metal with hardened, matte-finished steel grille
  • Adjustable, Locking Stand Adapter: Integral, dynamic locking, adjustable through 180 degrees, with standard 5/8″-27 thread
  • Weight: 21.6 ounces

Frequency response.

Polar pattern.

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